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A finely-honed comic missile of a duo

I have mentioned their names before in this blog, but I have never just said it: Stewart Lee and Richard Herring, as Lee & Herring, are the best comedy double act I’ve ever seen. There, I said it. Out loud. In words.

While some may dislike Lee for his monotonous, plodding delivery and how he labours over every single point made, and some may think Herring is an idiotic, childish, sexist berk, the combination of the two does two things. One, it makes it harder to notice these alleged faults, as both comic personalities cover each other’s bad points. Two, it helps you to realise they’re both actually brilliant comedians with finely honed stage personalities ripe to be misunderstood by the general public.

They were the double act that would spend lunch time on a Sunday dissecting the very nature of how to tell a joke, while at the same time having a go at boring, formulaic comedy:

They were the double act that – while Songs of Praise was on BBC One at the same time – would have far more interesting religious programming:

They taught me about the possessive apostrophe:

They showed me how Braveheart really ended:

And they had St George glassing a crow at lunch time on a Sunday:

One problem I have with their existence, however, is the fact that if other people see their act they will realise that every single thing I say in my life, ever, is because of them. It’s either a direct quote modified to suit the situation or just a few words or phrases here and there stolen wholesale. Lee and Herring reveal me to be unoriginal and a fraud. The bastards.

Fortunately this shocking admission won’t be noticed by anyone, seeing as this blog is read by nobody. HAH.

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